Malik Polo

London based artist and friend of Too Hot, Malik Polo is all set to release his latest project “Marco”, after recently returning from the cultural melting pot of Palermo where these press shots were taken. The EP is an ode to all the different relationships made during his travels and how love can exist in many ways sometimes from a distance. 

Similar to the explorer Marco Polo, Malik sets to sea hoping to build bridges between cities. Working as a partner of Independent Label and music managment Abu Recordings he’s always connecting the dots for many musicians across the world as well as releasing his own music and throwing regular art exhibitions in London with his collective Observa Look out for his upcoming EP “Marco” out  on all steaming platforms this summer

Wearing Valentino and CP Company shirts, creamy comfy  Sebago chinos eating a fresh Arancini in the busy flee markets of Palermo is a big mood, captured by Hackney born and bred photographer Connie Swift.

All clothes from Too Hot

Riz La Teef is a London based DJ specialising in the underground UK sounds of Garage, Grime and Dubstep. Known for being an advocate for the lost art of cutting dub plates. He runs the South London Pressings record label to release emerging artists and has just taken up a new weekly residency on the mighty Rinse FM.

How did you get into DJing?
 
When I went to Uni many years ago, the guy I lived with had decks, so I used to muck around on his – then got my own pair of turntables and it went from there!

Where did your interest in garage, grime and it’s off shoots come from?

I used to watch Channel U a lot when I was growing up and that got me into garage & grime. Then again when I went to University dubstep had begun to pop off so it was a natural progression to then get into that. Going to various raves with huge sound systems just really cemented my love for that type of music, which I don’t think will ever leave me.

You’re well known for cutting dub plates, what inspired you to go down this path when most others have gone completely digital?

Cutting dubplates used to be the norm – I saw all my heroes cutting dubs (such as Skream, Mala, N-Type etc), and heard the way they sounded in the clubs and so I basically wanted to emulate them. I was fascinated by dubs, you could have your own one off that virtually no-one else had, it gave me a real buzz haha. Unfortunately I don’t cut as much as I used to any more for varying reasons, but dubs do still hold a very special place in my heart. You can’t beat the smell of an acetate.

You have just started a new residency on Rinse FM, how did that come about?

Basically Migz who now is the Radio Programmer at Rinse hit me up and asked if I wanted to do a residency (the film’s coming out soon haha).  Joking aside, it was a proper honour because when I initially started out getting a Rinse guest mix was my goal and now 10 odd years later to have a weekly show is pretty mind blowing. I’m really enjoying doing it and hope people can feel that from the first few shows I’ve done!

What plans do you have for your South London Pressings label?

I do in fact have 4 releases lined up that should be dropping this year, the problem is the nightmare pressing plant delays for vinyl at the moment, it’s holding everyone back. Hopefully it should be worth the wait, I can reveal that SLP006 will be my man DJ Crisps returning to the label with a feature from Ell Murphy. It’s a proper nice record and can’t wait to get it out there!

You post a lot of cars on instagram, what is in your dream collection?

Mate don’t get me started haha!
A few:
Lotus Carlton
Classic mini modified with a super bike engine in the back
Volvo 850 T-5R (in the classic yellow)
Escort Cosworth
Mercedes 190-E
Renault 5 Turbo
R34 GTR Nissan Skyline (Midnight Purple)
Ford Escort RS Turbo
MRK1 Golf
2000s Audi S8
90s Subaru Impreza
Saab 900 Turbo
Lottery/Dream Car
Bagged black E30 with a more modern supercharged M3 engine in it, uprated chassis/breaks, BBS rims, red leather interior & sound system.

Links:

Soundcloud: https://soundcloud.com/riz_la_teef
Instagram: https://www.instagram.com/rizlateef111/
Twitter: https://twitter.com/rizlateef111
Facebook: https://www.facebook.com/RIZLATEEF111

Featured deadstock early 90’s Boneville jackets, available 10/6/22 at 12.00 Midday BST.

Photography: Fergus Riley

At Home With Conor Murgatroyd

Conor is a Bradford born artist specialising in painting who is rapidly gaining traction in the art world. His work takes in a wide variety of influences from Rene Magritte’s early 20th Century surrealism to a love of Rottweiler dogs. Currently based in South East London we visited Conor’s eclectically decorated flat with photographer Theo Cottle. We styled him in our latest selection of early 1990’s deadstock CP Company & Stone Island pieces and got to know more about his practice.

What was it like growing up in Bradford?

I would say it was quite fun but difficult at times. I left when I was 17 to further study art in London. I knew it had to be the capital where I could further progress as a painter. I often think of my childhood at a lot and what type of effect that has had on me as a person, I guess I’m still coming to a conclusion on that.

 

How did you discover painting?

I discovered painting at Leeds College Of Art when I was studying a BTEC right after leaving school. I had a very influential tutor who really illuminated painting as something I could do that would be fruitful and worthwhile, whilst also displaying that a painter didn’t have to adhere to a cliche.

Your work makes a lot of traditional historical art references along with contemporary UK cultural imagery, what made you connect the two?

I believe to truly understand our present we must understand the past first. For me to ruminate my experience through painting, I couldn’t just do that if I purely focused on contemporary imagery and themes. The majority of my favourite art and painters are deseased and I take a lot of influence from events in history that I find significant also. unifying the past and present is something I’ve always done for myself mainly to help me understand the world, my paintings are the tool that helps me do that.

How long have you been a full time artist and what were your doing previously?

I have been working full time now consistently for the past year and half, but I started initially back in 2011. I took time out after finishing my BA at Chelsea College Of Art in 2016 and worked mainly in construction for 4 years until recently when I really decided to dig my heels in and develop my practice, it’s the best decision I’ve ever made hands down.

What or who are your biggest influences and inspirations?

My family is my main influence and inspiration! My love for them drives me in my life in general. As well as fashion art and some music.

How would you define your style, artistically and personally?

Personally, classical menswear is my main style foundation. I have always loved old Italian style, around the 60-2000s. I also take influence from some niche parts of history I’ve been exposed too, one era old Yugoslavia, their politicians they had the best suits. Artistically some of my favourite artists I hold in the highest esteem are Henri Fantin Latour, Renoir, Magritte, Edward Hopper, Degas and a lot of Renaissance art.

Where do you see yourself and your work in 10 years?

Hopefully me and my family are healthy and happy. My work I hope too will have evolved even more and be at a place where it is strong and powerful, that I can look back on it when it comes to the end of my life and be proud of it.

A limited edition run of 25 signed and numbered copies of Conor’s print Magritte & Moncler will be available to purchase from our site this Friday 26th November 2021 at midday 12.00 GMT.

Photography: Theo Cottle

Styling: Josh Barber-Cruz

Interview: Ollie Evans

Fresh From The Vault

Deadstock rarities and collector’s pieces from Stone Island, ST95, CP Company direct from storage and now available for purchase.

Photography: Alex Kurunis

Styling: Josh Barber-Cruz

Model: Freddie Cattaneo 

Slip Lane

Photographer: Jake Ranford

Model: Dennis Corrigan