Paninaro, the influential subculture that inspired 80’s Italian teens to dress head to toe in the latest European designer labels combined with classic American styling. It has always been difficult for us non Italian speakers to find exact details of the style so when we met Fabio recently who was an enthusiastic teen Paninaro in the 1980’s we knew we had to share his version of events and love for the style.

What is the history of Paninaro? How did it start?

It all started in the early 80s in Milan. The “Paninaro Culture and Style” evolved from AC Milan football hooligans back in those days. The hooligans changed their style from wearing tracksuit tops and trainers (copying their role model the English) to suntanned, good-looking and well dressed; and so their wardrobe to Armani, Timberland and bomber jackets, which they wore in reverse (the orange side) to go to football matches. The idea behind this change, was to deceive the police and blend in with the crowd without detection. They would meet up in front of a sandwich bar called “Al Panino” (translated. “at the sandwich’s”) in Piazza Liberty, often on Saturdays before football matches. Like so often in the history of subcultures, it was a journalist to appoint these guys “Paninari”, which means “sandwich enthusiasts/eaters“.

The younger “Paninari” got to like the style more than the football and they started to cultivate the idea to dress expensively, to have an impeccable appearance and create an image of success and prosperity. They developed their own visual language and they started adding new brands to their look to distinguish themselves from the rest, becoming the new generation of Italy’s subculture. The PANINARO as we know it was born. The meeting place changed to Piazza San Babila in front of Burghy, a fastfood restaurant similar to McDonald’s.

From that “birthplace” the Paninaro culture and style spread out to all of Italy and later some European countries. A comic called Paninaro and a magazine called Wild Boys appeared in every newsstand in Italy and the Pet Shop Boys made a song entitled Paninaro. The Paninaro’s time was from 83-89.

Were there rivalries between the original Paninari and the younger new comers?

In the early phase of the Paninaro, the Paninari were often organized in groups, with a “leader”, who was named “grangallo”  (which means big cock, but meaning the animal). That was inherited from their hooligan origins. This “leader“ had two jobs, to always have the best impeccable look, so the others had to try hard to look better and organising the activities for the group.

After some time, there were different groups in different corners of Milano; the group in piazza San Babila, the group in piazza Duomo and so on. As one can imagine, some of the groups were in heavy competition amongst each other and were also fighting each other from time to time. In the later period of the Paninaro, when it was at it’s peak, there were a lot of these groups all over Italy, the fights stopped a little and the competition limited itself foremost to the style!

The Paninaro’s other antagonists from the beginning were the punks, the goths and the metallari (heavy metal listeners). Those fights never stopped but that’s another story. 

How did you discover Paninaro style and at what age?

To begin with, I live in Switzerland and I was born in Switzerland from Italian parents. Going back to Italy for vacation at least twice a year I got infected with the Paninaro virus when I was 13/14-years-old. My stays in Italy nourished the desire to follow and to live that culture. I was buying the comic Paninaro and the magazine Wild Boys, taking them back to Switzerland and sharing them with a very small group of Paninari (all with Italian background) in my home town Basel.

What were the must have items of clothing to define yourself as Paninaro?

The one piece which distinguished a Paninaro in the very first days is probably the colourful Moncler down jacket. Then brands like Best Company, Burlington socks, El Charro, Stone Island, C.P. Company, Boneville, Timberland, Americanino, Henry Lloyd, Avirex, Ray-Ban sunglasses, Invicta backbags, Uniform, Schott, Millet, Nike, Levi’s, Naj Oleari (mostly for girls), Armani Jeans and Durango boots were essentials. Later the spectrum got bigger, brands like Lacoste, Vans, Converse All Star, Valentino, Les Copains, Trussardi, American System, By American, Chevignon, New Balance, Energie, early Diesel pieces, Mistral, Ocean Pacific or Paraboot shoes were added. Unfortunately nowadays, many of these brands only exist in hidden wardrobes or online shops like yours.

What were the main influences that defined the style?

Mainly the idea of being free (sky’s the limit), successful and wealthy which came over from the U.S. this nourished the image of the Paninaro. Pop music filled with fun, hope and colour, U.S. movies, like Top Gun, Rambo or Ferris Bueller’s Day Off, in which money is never a question, strength is limitless and everything always works out for the hero.

How long did the style last for?

By 1989 all Italian teenagers were Paninari. Like every subculture, as soon as it starts to become mainstream it dissolves, disappears and a new subculture replaces the old one. The very first Paninari, who were adults by that time, changed due to their lives and work. All big fashion houses started producing affordable collections. It was nothing special anymore to wear a Best Company jumper or Timberland, everybody else had the same, even the parents started wearing these brands. The next generation was forced to find a new way to distinguish themselves from the rest so the Paninaro culture and the style died in the early 90s. By the early 90s the Paninaro look was out and forgotten by the next generation. The love and memory of the true Paninari never extinguished though.

What labels and styles did people move on to after Paninaro?

During the last period, the very first Paninari, especially those from Milano, started adopting more and more high fashion brands like YSL, Louis Vuitton or Versace to distinguish themselves from the rest of Italy. Their claim was the heritage of what they had started. On the one hand wearing something not everybody could afford on the other hand dictating what style meant to be real. That lasted only for a short period. The young generation was influenced by new trends, one of those was techno music and so the fashion that came along with it; Australian tracksuit tops, Levi’s jeans and Nike shoes.

Why do you think it was so popular?

In the 80s Italy had come out of very stressful years, the 70’s were economically bad for many Italians and this decade was politically turbulent and unstable; bomb attacks by communist terrorists, many changes in the government, corruption, only to name some problems. In the 80s the economy changed to the better, you had more opportunities in life and the world seemed to be yours. This attitude was reflected in the music and movies. I guess the youth back then followed that stream and ended up in consuming, unconcerned with the future, having fun and hedonism. The U.S. was sending those vibes over. I guess those were the reasons which made a subculture like the Paninaro possible and why it became so popular. 

Did the style crossover into many other countries? 

Frankly I don’t know. What I know is that some cities in Switzerland, mainly the Italian speaking ones, had Paninari groups. In my town, which is the farthest from the Italian border, we were 8 pals following and cultivating the Paninaro culture and style. Those into Paninaro culture and style had Italian backgrounds for sure. I guess there were other groups in other countries but since they never appeared in any Paninaro comic nor Wild Boys magazine (those are the main references and historical proof of the Panianro culture and style), there’s no record of it. I know that Germany had a similar subculture which was called “Poppers“, derived from Pop music, before you imagine anything else less wholesome. Funnily enough, the Poppers had a similar brand code, were also influenced by pop music and the U.S. image of life. Amongst Poppers’ brands you could find were Best Company, Nike, Levi’s, Avirex or Chevignon. Brands one still finds a lot of on the second hand market in Germany. To be honest I have no idea if the Poppers had noticed or had been influenced by the Paninari. What I know for sure is that the Paninari didn’t know anything about the Poppers. Shockingly enough only very few knew that there were Paninari outside from Italy. That’s a sign of that time, innit?

Has there been a resurgence of interest in the style recently?

Yes, absolutely. The youth have rediscovered the fashion bits of the 80s lately. Suddenly a Helly Hansen jacket, a vintage Nike Air Max, a timeless Stone Island Marina t-shirt or even a Best Company jumper reappears on the screen. I guess some of the Paninari got reminded of their roots and caught back being what they were from beginning, PANINARO!! 

What is the story behind the recent Paninaro meet ups in Milan?

The current fashion trends have revived the love and the memory of being a Paninaro so many Paninari started reconnecting through Facebook and in 2012 they organized the first reunion in Milano, they documented it and sent it out to all of Italy. That call woke up many Paninari so today we’re back again, looking good of course, older but still splendidly vivid!

For all Paninari who haven’t heard yet that we’re still standing and those who want to join the two annual meetings in Milano (May and November/December) get in touch!

Thanks Fabio!

You can follow Fabio’s Paninaro archive on his instagram account: @panozzch

Portrait photography: Jake Ranford

Interview: Ollie Evans.

Our friend Nyra dropped by the studio last week for a chat and to showcase some of our new pieces. As one of the most exciting DJ’s in the UK he’s currently making waves with his recent productions and sell out vinyl releases on his own imprint Canoe. If you don’t yet know get to know.

How did you first get into music ?

When I was about 15 my great uncle left me some money and I went and bought a DJ package which contained two turntables and a mixer, they were Stanton belt drive decks and a Stanton mixer. I purchased a few records, set it up on a rickety table, plugged it all in to my hifi speakers in my bedroom and taught myself to mix records. 

What was the first record you bought to do that with?

I honestly can’t remember (laughs) was a such a long time ago.

What genre was it?

Err something housey I vaguely remember, that’s what was being stocked in most of the record shops I was buying from at the time.

Has it always been house?

Err no I’ve been around the houses (laughs) so to speak, which probably leads to where I am today, playing and listening to quite a few different styles and genres of music. I think that’s why in my DJ sets now you can hear the diversity coming through. My mum had a big influence on my musical taste from an early age, there was always a bit of Madonna or New Order or Talk Talk getting pumped out of the speakers in the house.

There is a influence of rave elements, breakbeats, heavy basslines in some of your music, has that been a strong reference point for you?

Yeah I mean the electronic side of things, growing up in Sheffield throughout different eras helped. Warp was a big influence with it being from Sheffield as well. They released a lot of different types of electronic music, some of it ravey, some of it electro, some of it House/Techno/Ambient it goes right across the board.

Do you keep your music with Sheffield in mind? Do you build your tunes with Sheffield in mind as an homage to that sound?

Yeah I think I do and you can see it coming out in the production side of things, whether it’s making records or playing records Sheffield is pretty close to me. It’s had a major impact and influence on what I do today, right up to my label Canoe which covers most genres of electronic music. I’d like to build up the label with a handful of people I like and who’s music I’m digging and it’d be nice to get a few Sheffield people in the mix and help build them too.

With the label Canoe that’s something you’ve set up recently what was the inspiration behind it? 

I was running a night in a warehouse I rented called Downlo at Dan Sane quite some years ago and it was doing pretty well. I had that for two years and brought a lot of the acts that you hear and see today into Sheffield. Then I got into cycling and had to make a decision. I could always go back to music but I couldn’t always go back to cycling so I got into racing and I got picked up by one team and picked up by another and then went professional. One thing lead to another and I was making regular appearances on ITV and Eurosport (Laughs). Then I came back to music a year and half ago set up Canoe and moved down to London and thats when it all started again with the music. 

I met you when you first moved down to london through dealing in clothes what influence does style have on your life and your music?

It’s always been a major part fashion for me, from a really young age I’ve always been into my clothes. I think in todays climate with social media image is a major player, I think people expect you to have the whole package nowadays.

What influence does your style have, is it reference to subcultures or things you’ve experienced in your past?

It’s like my music I like to mix and match and dip my toes into different areas when it comes to style but still keeping it on point to what I’m doing. As your interviewing me I’ve got a Lacoste t shirt on some Stone Island bottoms and some Clarks wallabies, all the above I was wearing when I was about 15. Some days I might wear a more plain getup all black vibes. I think it gets boring if you stick to just one style as it would get boring just playing and listening to one genre of music, so mixing it up is always best for me. All depends on how I’m feeling on the day.

What have you got coming up over the next few months with your music?

I’ve just sent the next Canoe off which is an EP from myself with two disco housey tracks on it, on a 12 inch vinyl. Then at this moment in time I’m just working on the new Canoe releases. We’re on number 7 with the one I’ve just sent off, so get the next couple in hopefully before the end of the year. Then start introducing a few of the new people to the label that I mentioned earlier on.

And your playing out a lot over the summer?

Yeah I’ve got loads lined up, I’m at Fabric on the 6th of July on the Friday then the week  after I’m in Ibiza for 10 days and I’ve got some shows over there, then Germany the week after and lots more shows up until the end of the year.

Listen to Nyra’s Fabric mix below.

Links:

Insta: @nyramusic1

FB: nyramusic1

Soundcloud: nyramusic

Nyra wears a selection of vintage pieces from Too Hot.

Photography: Jake Ranford

Interview: Ollie Evans.

 

Too Hot X Harvey Nichols video interview.

A look at some of the exclusive pieces we’ll be stocking at our Harvey Nichols pop up and inspiration behind it.

Director: Rich Luxton

Rare excerpt from Goldie’s video diary for short lived late night Channel 4 style show Passengers, a video magazine show that existed for two series in between seasons of The Word, it was sort of like a TV show version of the Face. Other episodes featured video diaries from Biggie Smalls and Ewen MacGregor.

This clip features Goldie at home in London, in his car, footage from Metalheadz and contributions from Fabio, Dillinja and J Majik

Stone Island personal archive film for High Snobiety.